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Theatre of Yugen and Bristles on a Match present SEEN / BY EVERYONE – conceived by Amir Darvish and Meg MacCary, and co-written by Matthew Cohn, Amir Darvish, Meg MacCary, Enormvs Muñoz and Jen Taher. Directed by Theatre of Yugen’s Artistic Director, Nick Ishimaru.

SEEN / BY EVERYONE is an ysis of afterlife and afflicted in the age of amusing media. Not continued ago, back a being died they disappeared, active on alone in clandestine photographs and letters, or a death-notice on microfiche. Now, their attendance remains: their photos and comments and questions, their trivialities and ardent expressions amble on. We can still appointment their pages or feeds and “talk” to them, in abounding appearance of anybody else. What does it beggarly to live, die, grieve, and accumulate active in the era of over-sharing? Back the asleep don’t aloof “go away” the way they acclimated to?

SEEN / BY EVERYONE consists absolutely of begin argument adopted from amusing media. Over several years, bags of comments and posts pulled from a array of amusing media platforms were collaged together. Placed aing to anniversary other, these bits formed conversations, and through this process, audible choir emerged. The bristles associates of Bristles on a Match created a comedy from these voices, all aching in their own ways, set in a bar on the banks of the Acheron river-the Greek “river of woe”.

SEEN / BY EVERYONE uses begin argument to brighten the acquaintance of people’s online revelations and tells a adventure of how we are now abiding to an era of accessible mourning. The comedy explores how amusing media has angry all users into chroniclers of their own lives and the lives of others. It additionally highlights the amusement begin back there is no barrier amid the ardent and the abstruse and the blah and the crass.

In this assembly of SEEN / BY EVERYONE, Theatre of Yugen will absorb elements of Noh theater.

Noh, developed in medieval Japan from Buddhist services, deals about alone with the abiding ghosts of the dead. Over the centuries, the anatomy was aesthetic and codified, introducing conventionalized movement, music, and articulation that carries able apologue into attentive performance. This is the affection captured in this assembly of SEEN / BY EVERYONE: a brainwork on ghosts of the agenda era. Theatre of Yugen is one of the alone companies that works in Noh alfresco of Japan.

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Presenting SEEN / BY EVERYONE in San Francisco gives the bodies who are actively complex in abstraction amusing media platforms a adventitious to apprehend the words of the bodies who use these platforms as a de-facto boondocks square, a abode to acquisition affiliation in an more brief association and accession their acquaintance of how their articles appulse association at large.

The San Francisco admirers is abnormally anchored to appearance the aing modes of amusing media. As the home of Silicon Valley and affair abode of hundreds of different cultures, the Bay Breadth is the absolute abode to abide adorning this adventure of how we die, ache and accumulate on active in the era of the over share. This assembly additionally explores how amusing media gives a belvedere for associates of underrepresented communities to appoint in a nation-wide dialogue. To appoint them, Theatre of Yugen will abide to action pay-what-you-can nights and ability out to association organizations to action chargeless or discounted tickets.

Theatre of Yugen, founded in 1978 by Yuriko Doi is committed to the canning of acceptable Japanese theatre forms of Kyogen and Noh, as able-bodied as continuing to innovate and associate attitude with new forms and approaches, accidental to the chat about beat theatre.

Five on a Match is a assorted accumulation of artists who actualize and aftermath aboriginal amphitheater and blur that acquaint the belief of the animal access we accomplish in the aberrant apple in which we live. Bristles on a Match is Matthew Cohn, Amir Darvish, Meg MacCary, Enormvs Muñoz, and Jen Taher. www.fiveonamatch.com

Cast includes: Annika Bergman, Alan Coyne, Adrian Deane, Enormvs Muñoz, Paul Rodriguez, Stephanie Whigham and JJ Van Name.

Costume design: Liz Brent

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Scenic design: Josh McDermott

Light design: Brittany Mellerson

Sound design: Ella Cooley

Directed by: Nick Ishimaru

Stage Manager: McKenna Moses

Matthew Cohn’s (Writer/Producer) is a New York-based artist. New York: Don Juan Comes Back From The War (Lenfest Center for the Arts); Seen/By Anybody (playwright/performer with Bristles on a Match, at HERE Arts Center); Twelfth Night and A Midsummer Night’s Dream (New Abode Players); The Country Wife (Odyssey Productions); Babette’s Feast (The Connelly Theater). Regional: Oslo, A Doll’s House, and The Importance of Being Earnest (Northern Stage); Measure for Measure (Elm Shakespeare); Rhinoceros (Mighty Theater). He is additionally the Co-Founder and Managing Administrator of Vox Theater. www.matthewcohn.com

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Amir Darvish’s (Writer/Producer) New York Theatre: Seen/By Everyone, This Abiding Life, I Came To Look For You On Tuesday, The (*) Inn, Taxi To Janna, and the alarmingly acclaimed Off-Broadway one-man show: Mercury. 2010 NY Innovative Theatre Award almsman for Outstanding Featured Amateur in Psych and a 2009 NY MITF Best Amateur Nominee for Higher Education. Blur & TV: “Madam Secretary”, “Shades of Blue”, “Person of Interest”, “Bar Karma”, “Running Wilde”, “Love Magical” and “Month to Month”. Amir Darvish.com

Meg MacCary (Writer/Producer) played Queen Isabella in the accepted web alternation The Adventures of Jamel: The Time Traveling B-Boy. Her New York credits accommodate City Girls and Desperadoes with Austin Pendleton (Theater for the New City), This Abiding Life (HERE), Dinner With Friends directed by Pam MacKinnon(Roundabout), I Came To See You On Tuesday (La MaMa), The (*) Inn (Abrons Art Center), The Tempest (Target Margin), Apparent / By Anybody (playwright/performer with Bristles on a Match, at HERE.) She’s performed regionally at the Guthrie and La Jolla Playhouse. She won an Obie Award for her achievement in Rinne Groff’s What Then. She plays Blair in Yaara Sumerak’s abbreviate blur American Daddy. Meg co-founded Clubbed Thumb and served as co-artistic administrator for 13 years. Aing up: The Peanut Butter Show with Little Lord. www.megmaccary.com

Enormvs Muñoz’s (Writer/Producer/Actor) credits accommodate This Abiding Life (Theatre of Yugen & Cake), Sidewinders (Cuttingball), The Oskar Trilogy (TheatreWorks Silicon Valley), A Language Of Their Own (Kumu Kahua) and Dogs Body (Theatre of Yugen w/Dah Teatar). He has been assuming with Theatre of Yugen snce 2005, is a founding affiliate of Bristles on a Match, clowns with Fou York, and is a caricatural performer. www.enormvs.com

Jen Taher’s (Writer/Producer) credits accommodate Immersion at NYTW (Emerging administrator adolescent showing), Yvette and the Wild Shame (Signature), Asking for Trouble (EST), Flying Snakes in 3D and Asleep Bodies (both at Ice Factory), 9 to 5 – a annoyance queen adjustment at the Castro Theater, San Francisco, National and International Tour of Chuck Mee’s Bobrauschenbergamerica with SitiCo, and La Femme est Morte at PS122 & Edinburgh Fringe (Best Acting Ensemble Award).

Nick Ishimaru (Director) was accomplished originally as a agreeable theatre aerialist and started exploring Japanese theatre while belief at Colorado State University (BA, 2005), breadth he directed a kabuki adjustment of Macbeth. He went on to abstraction at San Francisco State University, (MA, 2009). His assignment explores a aggregate of Western and acceptable Asian achievement techniques for aboriginal creations, forth with assignment in accepted agreeable theatre and Shakespeare.,His administering assignment at Theatre of Yugen includes The Red Demon by Noda Hideki, A Noh Christmas Carol, and the Fermentation Laboratory. Previous administering assignment includes It Ain’t Me by Claire Rice (original), Land of Infants by Meghan O’Patry (original), and Kaguya (original adaptation). Added contempo assembly assignment includes A Minor Cycle by Greg Giovanni (original; amateur and action choreographer), This Abiding Life by Chiori Miyagawa (original; actor), and several acceptable Kyogen plays with the Theatre of Yugen (actor).

Liz Brent — Apparel Designer: Liz Brent is a multi-disciplinary artisan and educator. She specializes in apparel design, construction, and apparel alignment with a decade of acquaintance and a accomplishments as a performer. She is a Colorado built-in who accelerating from CU Boulder and lived in Japan afore affective to San Francisco. Her admired shows accommodate adorable elements of the absurd and mythical. More of Liz’s assignment can be apparent at http://www.lizb.work/

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Joshua McDermott — Scenic Designer: Joshua McDermott was accelerating from the University of Hawai’i with a M.A. in Asian Theatre, specializing in the Japanese avant-garde. He has been alive and designing in the bay breadth back 2005 and is active as the Technical Administrator for the assuming arts and amusing amends affairs at the University of San Francisco, breadth he is the coordinator of the Tech and Architecture Certificate.

Ella Cooley — Complete Designer: Ella Cooley is a bounded theatre-and-music maker and educator. She accelerating from UC Santa Cruz (’13) with a B.A in Theatre Arts and confused to San Francisco anon thereafter to focus on authoritative music; complete architecture is a accomplishing way for her to acquaintance both of these worlds at the aforementioned time. Ella spends her daytime hours alive at Theatre of Yugen as Office Manager and teaching music and theatre to little ones. She afresh accustomed a TBA Award for her assignment on The Winter’s Tale (Ragged Wing Ensemble).

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