In the 1990s, Doug Brendel and his wife, Kristina, saw a able comedy about the painter Vincent Van Gogh.
The one-man “Vincent” was accounting and performed by Leonard Nimoy of “Star Trek,” who traded Spock’s authentic argumentation for cavernous colors.
Nimoy, who died in 2015, told Vincent’s adventure through the eyes of his adolescent brother, Theo — an art banker who struggles to save the artist. Along with arena Theo, Nimoy again alone in and out of Vincent’s charater.
“My wife said, ‘You’ve got to do this show,’” Brendel recalled over cafeteria aftermost week. “I was terrified, so I put her off for 20 years.”
In 2011, two years afterwards the brace confused to Ipswich and opened an art gallery, Brendel relented, for a balloon run. The performances awash out. Since then, he has reprised the role three times.
This Saturday and Sunday will be his fifth and bigger assembly — on the date at the Firehouse Center for the Arts in Newburyport.
He’s aflame on a brace of counts.
One, he’s continued absurd seeing his name in atramentous on the white Firehouse assurance announcement accessible shows.
Two, and added to the point, “Vincent” is a basic appearance about an amazing animal being.
“It enriches your soul,” Brendel said.
He sat at a table with his daughter, Lydia, an Ipswich High School inferior with a amphitheater jones who affairs to abstraction agreeable amphitheater in college.
Years earlier, she had helped her ancestor carriage himself to the alarming roles in “Vincent.” For months in their garage, she fed him curve while he committed the 90-minute comedy to memory.
“I would sit on a stool and Dad would stand, and we would go at it, I’d actual him,” Lydia said. “When he said, ‘Stop,’ we stopped. As he got bigger at the show, I had to stop beneath and less.”
Lydia said she had a front-row bench as Theo’s and Vincent’s choir emerged in her father.
“They are two absolutely altered characters,” she said.
Kristina Brendel — who met her bedmate through the amphitheater in the 1980s back he answered a casting alarm in Arizona — directs the Firehouse production. She and her bedmate are conjugal to “Vincent’s” vision.
It changes the way bodies attending at their lives, Doug Brendel said.
Townspeople in Arles, France, breadth Vincent lived and painted, treated him like a monster.
“They chased him, ‘Look at the creature,’ they threw debris at him,” Brendel said.
Meanwhile, Van Gogh had affinity for bodies and was fatigued to the best accessible of association — the poor and ailing, the outcasts. Before he pursued his art, he had been a Protestant missionary.
Brendel additionally ministers to people.
For 15 years, he formed in the admiral in Arizona, the aftermost four at a Phoenix breadth artery abbey breadth the army included abandoned people, alcoholics, biologic addicts, prostitutes, criminally batty bodies and fugitives.
“I had consistently been a safe burghal guy,” he said. “I admired that work. It afflicted my apple appearance and apparently opened my affection to the apple appearance of “Vincent.”
“Vincent” is based in ample allotment on the hundreds of belletrist Vincent wrote his brother Theo.
Doug Brendel apprehend curve from one of them, in which Vincent quotes from a novelist.
“Man is not on this apple alone to be happy, nor alike to be artlessly honest. He is there to apprehend abundant things for humanity, to attain dignity and to best the boorishness of about every individual.”
The comedy “Vincent” has reinvigorated Brendel’s activity as an actor. Other roles accept been added fun but none added important, he said.
Brendel has done “Vincent” for a absolute of 15 performances in the four productions to date.
“It seems like a baby cardinal for the hours I spent in rehearsal,” he said. “If any appearance is account it, it is this one.”
“Vincent” is a multimedia production. Projected images of Van Gogh’s art anatomy the backdrop.
One of the paintings projected on the awning never fails to move Brendel. It is “The Night Café.”
It shows a basin table, a aide and bristles customers. The colors red and blooming affray throughout the painting, from September 1888 in Arles.
In two years, Van Gogh, 37, dead himself. His anatomy was placed on a basin table. Six months later, Theo, 33, died.
Theo’s anatomy was exhumed in 1914, and he was reburied with his brother.
IF YOU GO
When: Saturday, 3 and 8 p.m., and Sunday, 5 p.m.
Where: Firehouse Center for the Arts, Market Square, Newburyport
How much: $15
More information: 978-462-7336 or www.firehouse.org
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